Nasreen Mohamedi (1937-1990) distanced herself from traditional Indian art practices in the early 20th Century, going on to become one of the first Indian abstract artists. Her non-figurative works were highly unusual at a time when Indian art schools were dominated by academic realism and an anthropomorphous aesthetic left over from the colonial period.
Mohamedi’s art is now the subject of a retrospective at Madrid’s Reina Sofia that explores the intersections between the artist’s life and work. The exhibition features drawings, paintings, photographs and collages and focuses on the artist’s production from the 1970s.
The artist’s career was defined by “the rigours of self-discipline and self-control,” the curators said. Her art leads us towards a “personal vision articulated around a frugal aesthetic and the use of simple mediums, where the mathematical, the metaphysical, the mystical were adopted in her search for a subjective and immaterial world,” they added.
Nasreen Mohamedi, Waiting is a part of intense living, is on at the Museo Nacional Centro de Arte Reina Sofia, Madrid, until 11th January 2016.
Photo: Nasreen Mohamedi, Untitled (1977). Courtesy of Museo Nacional Centro de Arte Reina Sofia.