New York’s MoMA is showing the first comprehensive American survey of the Lebanese-born artist Walid Raad (b. 1967). It features his work in photography, video, sculpture, and performance from the last 25 years.
Raad’s work is informed by his upbringing in Lebanon during the civil war of 1975–91. His work is also preoccupied by the socioeconomic and military policies that have shaped the Middle East in recent years.
Two of Raad’s long-term projects are the main emphasis of the show: The Atlas Group (1989–2004) and Scratching on things I could disavow (2007–ongoing). The Atlas Group is a 15-year project exploring the contemporary history of Lebanon. In it, Raad produced a series of fictionalized photographs, videotapes, notebooks, and lectures that related to real events and research into audio, film, and photographic archives in Lebanon and elsewhere.
In his ongoing work, Scratching on things I could disavow, Raad expands his focus to the wider Middle East. The work examines the recent emergence in the Arab world of new infrastructure for the visual arts, including art fairs, biennials, museums, and galleries. It looks at these alongside the geopolitical, economic, and military conflicts that have defined the region in recent years.
Walid Raad is on at MoMA, New York, until January 31, 2016.
Photo: Walid Raad. Hostage: The Bachar tapes (English version). 2001. Video (color, sound), 16:17 min. The Museum of Modern Art, New York. Gift of the Jerome Foundation in honor of its founder, Jerome Hill, 2003. © 2015 Walid Raad.