Chilean photographer Andrés Durán’s recent work has centred on reinterpreting everyday sights in Santiago, his native city. In the series, Cartel House (2001), he documenting hidden locations in the city’s residential outskirts via appropriated billboards. Meanwhile in Viewpoint (2011), he captured inverse perspectives on advertising.
In his latest body of work, Edited Monument (2014), he digitally transforms Santiago’s public sculptures, resulting in images that trick our perceptions. Neglected military figures, politicians and national heroes are seen from a new perspective, with their pedestal inverted and placed over the top of the effigy. In this way, he draws our attention to historically and politically important statues that have long been forgotten about – expect perhaps for the occasional photo by a passing tourist.
Durán was born in 1974 and is currently a professor in the digital image department at Universidad ARCIS in Santiago.
Photo: Prócer de pie, 2014, (S#1, P#2) © Andrés Durán. Courtesy of the artist and Metales Pesados. Santiago.