All posts filed under: exhibitions

The iconic Iranian arts festival that was ended by the revolution

For a decade between 1967 and 1977, the Festival of Arts was held among the ancient ruins of Persepolis and Shiraz, two ancient Persian cities. The festival, which was always held in the summer, was brought to an end by the Iranian revolution of 1978 out of fear for the safety of its performers. It is now the subject of a new exhibition at the Whitechapel Gallery in London, which has brought together original theatre posters, programmes and archive film and photographs from the festival. In its heyday, it was an eclectic melting pot of music, theatre and performance hailing from both East and West. A number of iconic performers took to the stage, including Indian sitar player Ravi Shankar – who famously inspired the Beatles, and the American composer John Cage. As well as music, avant-garde experiments in other art forms were prominent. American dancer and choreographer Merce Cunningham’s dance troupe performed calisthenics – synchronized physical training — among the ruins. A play by English poet Ted Hughes and Iranian author Mahin Tajadod, Orghast, …

An eclectic life: Brion Gysin’s North African odyssey

The unconventional British artist Brion Gysin (1916-1986), whose work was heavily influenced by North Africa’s Sahara Desert, is the subject of an intriguing solo exhibition at London’s October Gallery, called Unseen Collaborator. The Africa-focused gallery has had a long relationship with Gysin, being the first to show the artist’s work in the UK in 1981. This new exhibition brings together a number of previously unseen paintings, from Marrakesh crowd scenes to calligraphy and grid works and architectural photographs. It also shows us Gysin’s work in other fields, including collaborations with writers and musicians like the jazz maestro Steve Lacy; and a rarely-shown film of the artist by Francoise Janicot, Brion’s Devils. The work on display spans three decades, from the 1950s to the mid-1980s. Gysin had his first retrospective in the United States in 2010, but is little-known in his home country, perhaps due to the fact that he spent most of his life abroad. Influenced by cultural practices in New York, London, Paris and Tangier, Gysin produced thoroughly eclectic work and was once described …

Clouds talking: Yo-Yo-Gonthier and the erasure of memory

The group show Presences, at the Ivory Coast’s Galerie Cécile Fakhoury, brings together the work of four artists: Nestor Da, François-Xavier Gbré, Yo-Yo-Gonthier and Cheikh Ndiaye. The gallery has been turned into a shared studio space for the exhibition. Yo-Yo Gonthier’s work (seen in the photo above) is inspired by exploration, conquest, discovery and voyage, both of the physical and fantastical kind. Through film, drawing, printing, photography and performance, the artist “invites the viewer to a historic reading of universal forms and subjects,” the curators said. “Yo-Yo Gonthier is a composer – of lines, of meaning, of sounds. The materiality of his work is the result,” they added. Yo-Yo Gonthier was born in Niamey, Niger, in 1974. The artist now lives and works in Paris. His work deals with the erasure of memory in the Western World through its preoccupation with speed, technology and progress. To continue reading this article, please subscribe to the September/October 2015 issue here, or by searching for The Kurios App on your mobile device. Presences in on at Galerie Cécile …

Double take

The pioneering Argentine photographer and filmmaker Horacio Coppola (1906-2012) was a key Modernist figure. He was one of ten siblings born to Italian immigrants in Buenos Aires at a time when photography was only an emerging art form. He travelled to Europe in the 1920s and 1930s, where his early experiments with photography began to take on a Surrealist edge. Coppola is the subject of a new retrospective at New York’s MOMA, alongside his wife German-born Grete Stern, also an artist. Coppola enjoyed walking the streets of London, waiting for moments of Surrealist uncanniness to appear. In this photo, taken in London in 1934, clothes and shoes for sale outside a shop swing in the wind, giving the strange sensation that they are being worn. In another photo in the exhibition, also taken in London in 1934, he photographed a display of various antiques at a flea market in the city, including the reflections of passers-by in the mirrors. Viewed more closely, the reflection of a sculptural bust can be seen in the mirror too, …

Violence meets art

Colombian artist Doris Salcedo (b. 1958) is the subject of a new retrospective at New York’s Guggenheim Museum. Over the past three decades, Salcedo’s sculptures and installations have addressed the often-violent history of modern-day Colombia. Her work also addresses other forms of social injustice, some of which are the result of colonialism and racism. The exhibition, displayed over four floors, features the artist’s most important series, made between the late 1980s and today. It also includes a video documenting her site-specific public projects and architectural interventions. Check out the latest issue of The Kurios for more exhibitions news from around the world. Doris Salcedo is on until October 12th 2015 at the Solomon R. Guggenheim Museum, New York. Photo: Doris Salcedo, Plegaria Muda (detail), 2008–10. Wood, concrete, earth, and grass in 122 parts, dimensions variable. Courtesy Alexander and Bonin, New York.

Revolutionary in Brazil

Tarsila and Modern Women in Rio at the Museu de Arte do Rio pays tribute to a number of female Brazilian artists, who worked between the end of the 19th century and the end of the Second World War. The women featured were all selected for the revolutionary work they did, albeit in very different areas of creative production. Tarsila do Amaral (1886–1973), known simply as Tarsila, is the central figure of the exhibition. Considered to be one of the leading Latin American modernist artists, she was a member of the notorious Grupo dos Cinco (Group of Five), perhaps the biggest influence on modern art in Brazil. She is also credited with having inspired Oswald de Andrade’s famous essay Manifesto Antropófago (Cannibal Manifesto), a key Brazilian cultural text which argued that the country’s history of of “cannibalizing” other cultures is its greatest strength. Tarsila and Modern Women in Rio is on at the Museu de Arte do Rio until 20th September 2015. Photo: Tarsila do Amaral, O Lago (The Lake) (1928). Courtesy of Museu de Arte do Rio.

History of violence

A dynamic new exhibition at the Museo de Arte Latinoamericano de Buenos Aires (MALBA)  brings together the work of several international artists whose work has strong social and political themes. Featuring the works of Brazil’s Jonathas de Andrade, Argentina’s Leon Ferrari and Lebanon’s Walid Raad, the show includes works dealing with the conquest of Brazil by the Portuguese, the military coup in Chile, the civil war in Lebanon and the Tiananmen Square Massacre in China. Photo: Liu Wei, Unforgettable Memory (2009). Courtesy of MALBA. Memorias Imborrables (Indelible memories) is on at MALBA until 20th August 2015.