All posts filed under: photography

Documenting terror

Serbian fashion photographer Jovana Mladenovic is exhibiting her new series Monumental Fear at the LIBRARY in London, as part of the first-ever Balkan art exhibition to be held in the city. Her haunting series explores and documents Second World War monuments in former Yugoslavia. The artist’s aim is to bring to life a period of history forgotten by many of the younger generation. Interruption, presented by Contemporary Balkan Art, showcases 40 works by Balkan artists including paintings, sculptures, photographs, prints and graphics. It is showing at LIBRARY on St Martin’s Lane until mid-May. Mladenovic is in conversation at the club on April 25th. The subject of the talk is the artist’s new series and how brutalism and architecture formed a national identity in former Yugoslavia. Photo: Jovana Mladenovic, Kosmaj Monument (2016).       Advertisements

Reaching the heights: Martin Chambi’s pioneering photos of Andean people

The Peruvian photographer Martin Chambi is not a household name like his famous compatriot, Mario Testino, but his pioneering photographs of indigenous people were ahead of their time. Martin Chambi transcended his impoverished start in life to become one of the Andean country’s most prized photographers. Martin Chambi was born in 1891 into a Quechua-speaking peasant family in one of Peru’s poorest regions, Puno. The region, located to the southeast of the country, borders Lake Titicaca. When his father went to work in a goldmine in Carabaya province, Chambi went with him and it was in this unlikely place that he first experienced photography. He got to know the mine’s resident photographer, who taught him the basics of photography. This early brush with photography planted the seed that would develop into a lifelong passion. In 1908, Chambi headed to the more cosmopolitan city of Arequipa, where photography was more advanced and sophisticated. He became an apprentice in the studio of another photographer. Nearly a decade later, after a long period of training, he set up …

Playing with identity in the work of Sawada Tomoko

Sawada Tomoko plays with notions of identity through the traditional medium of self-portraiture. Her OMIAI♡ project sees the artist herself dress up in costumes, wigs and other ingenious disguises – including weight gain – to transform into various characters. The project, which verges on performance, consists of thirty self portraits, aimed at representing a different kind of woman in a playful and coyly subversive way. The images mimic the traditional form of photography that would be taken during the Japanese custom of omiai, an integral part of an arranged marriage. The images are presented in vintage frames selected by the artist, again mimicking an old tradition – of displays of photographs in the windows of local photo studios in Japan. Tomoko was born in 1977 and raised in Kobe, Japan. She studied at the Seian University of Art and Design. Her photographs featured earlier this year in the exhibition The Younger Generation: Contemporary Japanese Photography, which took place at the Getty Center, Los Angeles, and featured the work of five contemporary photographers born in Germany …

Ishiuchi Miyako and postwar Japan

The work of Japanese photographer Ishiuchi Miyako lies at a crossroads between the personal and the political, the fictional and the documentary. She has been interested in the subject of postwar Japan, particularly the impact of American occupation and Americanization on her native country, for the past four decades. Miyako was born in 1947 in Kiryu. She grew up in Yokosuka, where the United States had set up a naval base just a few years before she was born. As a young person, she disliked the prevalence of American culture in the city. In the 1970s, nearly two decades are she first lived there with her family, the artist returned to her hometown armed with a camera, taking photos as a kind of catharis. The Yokosuka Story series of photographs that resulted speak of solitude, desolation, and pain. In another series, entitled Apartment, Miyako went in search of tumbledown apartment buildings, like the one her family inhabited when she was growing up. For this evocative series, she documented cramped living conditions and derelict buildings in …

Documenting youth: Oliver Kruger’s striking photographs

In the striking series of photographs Golden Youth, South Africa-born Oliver Kruger documents Johannesburg’s youth culture. After visiting a street festival with a friend, the artist decided to set up a studio on the sidelines of the event and take portraits of people attending the festival. The result is a series of sensitive yet psychologically probing portraits of his sitters. On the surface, flamboyant dress gives us a very real sense of the sartorial preoccupations of Johannesburg’s youth culture. But these are not photos from fashion pages, as these intimate shots prize out an intimacy from their sitters, however tough they appear. Kruger was born in Stellenbosch in 1977 and now lives and works in Cape Town. Oliver Kruger was profiled in the November/December issue of The Kurios. Photo: From the Golden Youth series, courtesy of Oliver Kruger.

Santiago nights: Leonora Vicuña’s lyrical work

Chilean photographer Leonora Vicuña (b.1952) creates timeless, lyrical images that capture nightlife in her native Santiago as well as in Paris and Barcelona. Her photos immortalize these nocturnal scenes, giving us a rich array of bohemian characters, including musicians, waiters, transvestites and vagabonds. During the dictatorship of General Pinochet in the 1970s and ‘80s, Vicuña spent some years living and working in France. She was one of the founders of the AFI, the first association of professional independent photographers in Chile, which fought for the restoration of democracy in the 1980s. Vicuña, who is also a Professor of Photography in Santiago, has been employing colour pigments and pencils on the surface of her silver gelatin prints since the late 1970s to bring her images of popular culture to life. In this way, she is able to add a personal touch to the images and recall the atmosphere of the original scene. The photos are a nostalgic, personal interpretation of everyday activities – playing cards, dancing, having a drink at a tapas bar – that take …

A vibrant city in motion: Horacio Coppola’s Buenos Aires

Argentine Modernism is under the spotlight in a new retrospective at New York’s MoMa focusing on the works of Horacio Coppola and Grete Stern. Coppola, an Argentine of Italian descent, and Stern, a German Jew, met at the Bauhaus, the experimental German art school, in the 1930s. With the rise of the Nazi regime and the subsequent closure of the Bauhaus, they moved to Buenos Aires in 1936, via London, where they got married. With the knowledge and training they had received in Germany, they soon established themselves as pioneers of Modernism in Argentina, combining a sharp eye for abstraction and design with local themes and subject matters. One obvious approach to examining their work has been to consider the axis of influence between Germany and Argentina. However, another interesting and novel comparison is between Buenos Aires and Paris, as the Argentine capital has often been considered ‘the Paris of South America’. In a post-colonial context, such a claim is deceptive. It implies that Buenos Aires is simply an imitation of the Parisian capital, with …