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Revolutionary in Rio

A young girl’s long hair is blown by the wind, while she stares ahead at a small collection of trees. Three heads – human or animal we are not sure — protrude from wellington boots on the pavement. It is hard to describe what it happening in the paintings of Tarsila do Amaral (1886-1973), even though the colours and the shapes are vivid. Upon first glance, some of these works can resemble France’s Henri Rousseau, the self-taught artist who captured now-famous jungle scenes. In others, she is more like the Belgian surrealist Rene Magritte. But in all her work, she is overwhelmingly Brazilian – with her bold use of colour and indigenous subject matter. Her legacy can be seen in the vivid work of contemporary Brazilian painters like Beatriz Milhazes. Indeed, Tarsila (as she is known in Brazil) has been described as the Brazilian painter who best achieved a nationalistic modern style in her country. She is also credited with having revolutionised Brazilian art. The much-loved artist is one of a number of female Brazilian …