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The Argentine artist Federico Manuel Peralta Ramos (1939 – 1992) and his famous egg sculpture are examined in a new exhibition at the MALBA, La Era Metabolica (The Metabolic Era). The sculpture, known as Nosotros afuera (Us Outside) and originally made in 1965, has been specially reconstructed for the show. Peralta Ramos was one of the country’s most eccentric artists. At the vanguard of modern art in Buenos Aires in the 1970s, he has been linked to the Dadaism art movement and is also considered a pioneer of conceptual art in Argentina. He made himself the subject of many of his works. One of six siblings born in the Argentine coastal city of Mar del Plata, Peralta Ramos would study at the Instituto Di Tella with Marta Minujin, another key figure in Argentine 20th Century art. She would go on to become a pioneer of conceptual and performance art in Argentina, becoming one of the country’s most subversive artists. Several other Peralta Ramos works are featured in the show including the 1981 work Mi vida es …

September/October new issue of The Kurios hits your screens

The September/October issue of The Kurios is out now, with lots of beautiful photos and fascinating content. Here are our highlights… Soviet sensuality: Nikolai Bakharev’s intimate photos of holidaymakers One man’s daring: Polesello’s experiment with Latin American art Colourful days down under: sublime hand-coloured photos from 70s Australia  A city in transition: Horacio Coppola captured Buenos Aires in its heyday  Forgotten corners of Azerbaijan: Aida Mahmudova’s nostalgic paintings Lest we forget: a century of West African portrait photography The new issue is available to read as an app for your phone and iPad, or as desktop edition. Get your copy here.

The Belgian engineer who captured the lives of Chile’s remote Mapuche

The Belgian engineer Gustave Verniory (1865-1949) arrived in Chile at the end of the 19th Century to build a railway in the remote region of Araucanía, in the mid-south of the country. The region, occupied by indigeneous Mapuche tribes, had not become part of Chile until the 1880s. Verniory came to know a group of Mapuche people, and he began to photograph them, in their everyday attire. He also captured images of the railway’s construction and other viaducts and bridges that had been built as the Chilean government drove modernization of Chile’s remoter regions. His photos document an interesting time in the history of the province when industrialization was rapidly changing the lives of the Mapuche. The government had occupied Araucania in the 1880s to end the resistance of Mapuche tribes. Subsequently European and Chileans settled in the area, with the population of Araucania growing considerably in the early 20th Century. A region of mountains and lakes and fertile agricultural land, it came to be known as the “granary of Chile.” Around one third of …