All posts tagged: Argentina


The Argentine artist Federico Manuel Peralta Ramos (1939 – 1992) and his famous egg sculpture are examined in a new exhibition at the MALBA, La Era Metabolica (The Metabolic Era). The sculpture, known as Nosotros afuera (Us Outside) and originally made in 1965, has been specially reconstructed for the show. Peralta Ramos was one of the country’s most eccentric artists. At the vanguard of modern art in Buenos Aires in the 1970s, he has been linked to the Dadaism art movement and is also considered a pioneer of conceptual art in Argentina. He made himself the subject of many of his works. One of six siblings born in the Argentine coastal city of Mar del Plata, Peralta Ramos would study at the Instituto Di Tella with Marta Minujin, another key figure in Argentine 20th Century art. She would go on to become a pioneer of conceptual and performance art in Argentina, becoming one of the country’s most subversive artists. Several other Peralta Ramos works are featured in the show including the 1981 work Mi vida es …

A vibrant city in motion: Horacio Coppola’s Buenos Aires

Argentine Modernism is under the spotlight in a new retrospective at New York’s MoMa focusing on the works of Horacio Coppola and Grete Stern. Coppola, an Argentine of Italian descent, and Stern, a German Jew, met at the Bauhaus, the experimental German art school, in the 1930s. With the rise of the Nazi regime and the subsequent closure of the Bauhaus, they moved to Buenos Aires in 1936, via London, where they got married. With the knowledge and training they had received in Germany, they soon established themselves as pioneers of Modernism in Argentina, combining a sharp eye for abstraction and design with local themes and subject matters. One obvious approach to examining their work has been to consider the axis of influence between Germany and Argentina. However, another interesting and novel comparison is between Buenos Aires and Paris, as the Argentine capital has often been considered ‘the Paris of South America’. In a post-colonial context, such a claim is deceptive. It implies that Buenos Aires is simply an imitation of the Parisian capital, with …

Rogelio Polesello: the Argentine ‘industrial artisan’

The bright colours and bold shapes of Argentine artist Rogelio Polesello fast-forwarded Latin American art into the 20th Century. A year after his death, he is remembered in a comprehensive retrospective at the MALBA in Buenos Aires. Possessing a basic knowledge about the career of Argentine artist, Rogelio Polesello, already tells us a great deal about this artist’s work. Born in Buenos Aires in 1939, Polesello spent his formative years working as a graphic designer in the advertising industry. The art that he would later develop bears a strong resemblance to the forms of commercial advertising he would have been working on day-to-day. His experience of commercial work is also evident in his openness to interdisciplinary creative work, pushing the boundaries of what is traditionally considered ‘art.’ His work at times verges on architectural form and design, as well as public art interventions. Polesello graduated in 1958 from the Prilidiano Pueyrredón Fine Art School. A year later, he would have his first solo exhibition at the Peuser Gallery. He began to experiment with optic art, taking …

History of violence

A dynamic new exhibition at the Museo de Arte Latinoamericano de Buenos Aires (MALBA)  brings together the work of several international artists whose work has strong social and political themes. Featuring the works of Brazil’s Jonathas de Andrade, Argentina’s Leon Ferrari and Lebanon’s Walid Raad, the show includes works dealing with the conquest of Brazil by the Portuguese, the military coup in Chile, the civil war in Lebanon and the Tiananmen Square Massacre in China. Photo: Liu Wei, Unforgettable Memory (2009). Courtesy of MALBA. Memorias Imborrables (Indelible memories) is on at MALBA until 20th August 2015.

Dream or reality?

Zimbabwean-born Virginia Chihota makes highly introspective work that occupies a place between dream and reality. The quietly striking works showcased in the following pages are from her series munzwa munyama yangu (A Thorn in my Flesh). Her expressive paintings result from a mixture of screen-printing and ink on paper, and the artist has said she finds inspiration in solitude. Chihota moved to Triploli, Libya, in 2012 and has spoken of how the culturally isolated experience of living in a foreign culture has fuelled her work. Continue reading about Virginia Chihota in the July/August issue of The Kurios.  Photo: Virginia Chihota, The Root of the Flower we do not Know, screenprint on paper, 2014. Courtesy of Tiwani Contemporary.

Floating fantasy

In Carlos Bongiovanni’s works, objects are not what they seem. Seen from afar, these unsettling paintings may appear to contain conventional imagery – birds, pieces of fruit, for instance – but upon closer inspection, strange, unsettling objects appear. They retain some elements of the original image, but morph into something else, something less obviously recognisable and disconcerting. Bongiovanni was born in Ushuaia, Argentina in 1983 and now lives in Buenos Aires. To see more images of Bongiovanni’s work, read the  July/August issue of The Kurios. Photo: Heart © Carlos Bongiovanni. Courtesy of Galeria Mar Dulce, Buenos Aires.

Now who’s wearing the trousers?

Pioneering photographer Annemarie Heinrich (1912-2005) had hard mountains to climb but her persistence eventually paid off. The daring Argentine artist, who moved to Argentina with her family to escape the Nazis, lived at a time when photography was considered a lesser cultural form in Buenos Aires. To complicate matters further, Heinrich liked to experiment with photographing nudity. She kept this a secret which, given that society even disapproved of her habit of wearing trousers to work, was probably wise. A comprehensive retrospective of the German-born photographer’s work at the Museum of Latin American Art of Buenos Aires (MALBA) — which ended earlier this month — uncovered her passionate, and very private, experiments with photography. Heinrich photographed many stars of the cinema, theatre and ballet in the 1930s and 1940s, when Argentina cinema was experiencing its Golden Age. In this era, Buenos Aires – dubbed the ‘Paris of the South’ — was a magnet for foreign performers who relished the rich cultural life of the city. The resplendent Colon Theatre is still considered one of the …

Lunar mysteries

Eugenio Cuttica: The inward gaze at the Museo Nacional de Bellas Artes in Buenos Aires brings together the paintings of the Argentine artist Eugenio Cuttica from the 1970s to the current day. The first part of the exhibition presents Cuttica’s early works, in which he grappled with new forms of expression. Cuttica was part of an expressionist revival that took place in Argentina in the 1980s. This room also includes a painting by Argentina’s most celebrated impressionist painter, Fernando Fader, which Cuttica selected from the museum collection himself. The second room showcases a series of Cuttica’s paintings from the 1980s and 1990s which present large-scale mythical themes. Finally we are presented with a series of the artist’s latest works, centred on the representation of a little girl known as Luna (Moon). In these semi-fantastical paintings, the figure of the girl dissolves mysteriously into a landscape, suggesting a ghostly presence. Eugenio Cuttica is featured in the May/June issue of The Kurios. Get your copy here. Photo courtesy of Museo Nacional de Bellas Artes.