South African artist Wim Botha’s expressive new series of sketches, More’s the pity, depict Michelangelo’s iconic Renaissance statue, Pietà. These 119 sketches, in oil on canvas and ink on paper, are based on a mirror image of the classic frontal view of the famous marble statue, which is found in St Peter’s Basilica, Vatican City. Botha experiments with colour and line through the repetition of the same modified image, which is seen as abstract in some instances, and figurative in others. In this way, these works disrupt the historical and conceptual meanings of the original piece, and revitalize the work in a contemporary way. Carry on reading about Wim Botha, and see more images of his work, in the latest issue of The Kurios. Photo: Wim Botha. More’s the pity (series of 119 sketches). Photo courtesy of Stevenson Gallery.
Mexican artist Pia Camil draws inspiration for her objects, seen in the following pages, from contemporary consumerism, incorporating signs and objects from everyday life. The artist, born in Mexico City in 1980, also reclaims abandoned structures from highways, driven by her belief in the failure of capitalism. Her wide-ranging practice, which takes in hand dyed wall hangings, ponchos and ceramic vases, often ends with the presentation of multiple objects in the same room. She also undertakes live performances that experiment with notions of domestic space. Her work appears to create a friction between domestic comfort – indicated by the ‘homely’ crafted feel of many of her ceramics and textiles – and a more hard-edged Modernism. Carry on reading about Pia Camil, and see more images of her work, in the latest issue of The Kurios. Photo: installation view: Pia Camil. Pangaea II. Image courtesy of the Saatchi Gallery, London (c) Justin Piperger, 2015
Eugenio Cuttica: The inward gaze at the Museo Nacional de Bellas Artes in Buenos Aires brings together the paintings of the Argentine artist Eugenio Cuttica from the 1970s to the current day. The first part of the exhibition presents Cuttica’s early works, in which he grappled with new forms of expression. Cuttica was part of an expressionist revival that took place in Argentina in the 1980s. This room also includes a painting by Argentina’s most celebrated impressionist painter, Fernando Fader, which Cuttica selected from the museum collection himself. The second room showcases a series of Cuttica’s paintings from the 1980s and 1990s which present large-scale mythical themes. Finally we are presented with a series of the artist’s latest works, centred on the representation of a little girl known as Luna (Moon). In these semi-fantastical paintings, the figure of the girl dissolves mysteriously into a landscape, suggesting a ghostly presence. Eugenio Cuttica is featured in the May/June issue of The Kurios. Get your copy here. Photo courtesy of Museo Nacional de Bellas Artes.
The first solo show of the Ivorian artist Yéanzi is taking place at Cécile Fakhoury Gallery in Abidjan, Ivory Coast. In Yéanzi’s mixed media paintings, he blends together successive layers of press cuttings onto canvas. He then melts plastic on top to form human images. The result is ambiguous and powerful imagery. Yéanzi is featured in the May/June issue of The Kurios, out now. Get your copy here. Photo courtesy of Cécile Fakhoury Gallery