Russian artist El Lizzitsky (1890 – 1941) is being shown for the first time in Ireland at the Irish Museum of Modern Art, alongside the works of a number of Irish artists. One of the most important figures of the Russian avant-garde, El Lizzitsky’s life and career were founded on the belief that an artist could be an agent for change. Born to Lithuanian Jewish parents, he started out illustrating Yiddish children’s books to promote Jewish culture in Russia. He later designed various exhibition displays and propagandist works for the Soviet Union, alongside his mentor Kazimir Malevich. El Lizzitsky also helped Malevich to develop Suprematism, and he was in charge of a suprematist art group known as UNOVIS. Interestingly however, El Lizzitsky developed a suprematist creed of his own, known as Proun. El Lissitzky: The Artist and the State is on at the Irish Museum of Modern Art, Dublin, until 18th October, 2015. Photo: El Lissitzky. Proun. Street Celebration Design, 1921. Courtesy of Irish Museum of Modern Art.
The Argentine artist Flavia da Rin was born in Buenos Aires, Argentina in 1978, and still lives in the city. Her practice includes photography and painting. In a recent series of powerful photographs, Da Rin has re-created images taken in the 1920s and 1930s of mould-breaking women who had a passion for dance, including Lizica Codreanu, Giannina Censi and Mary Wigman. The Romanian ballet dancer Lizica Codreanu was a member of Serge Diaghilev’s Ballets Russes and a constant fixture in avant-garde circles during Paris’ heyday. She was a favourite of the Ukrainian-born painter Sonia Delaunay, and the Romanian-born sculptor Constantin Brancusi, both of whom made their careers in France and designed iconic costumes for her. To continue reading about Flavia Da Rin’s work and the forgotten female artists she photographed, read the May/June issue of The Kurios. Photo: Flavia da Rin, Untitled (Codreano /Brancusi III), 2014. Photo courtesy of Ruth Benzacar Galeria de Arte.