All posts tagged: MALBA

Rogelio Polesello: the Argentine ‘industrial artisan’

The bright colours and bold shapes of Argentine artist Rogelio Polesello fast-forwarded Latin American art into the 20th Century. A year after his death, he is remembered in a comprehensive retrospective at the MALBA in Buenos Aires. Possessing a basic knowledge about the career of Argentine artist, Rogelio Polesello, already tells us a great deal about this artist’s work. Born in Buenos Aires in 1939, Polesello spent his formative years working as a graphic designer in the advertising industry. The art that he would later develop bears a strong resemblance to the forms of commercial advertising he would have been working on day-to-day. His experience of commercial work is also evident in his openness to interdisciplinary creative work, pushing the boundaries of what is traditionally considered ‘art.’ His work at times verges on architectural form and design, as well as public art interventions. Polesello graduated in 1958 from the Prilidiano Pueyrredón Fine Art School. A year later, he would have his first solo exhibition at the Peuser Gallery. He began to experiment with optic art, taking …

History of violence

A dynamic new exhibition at the Museo de Arte Latinoamericano de Buenos Aires (MALBA)  brings together the work of several international artists whose work has strong social and political themes. Featuring the works of Brazil’s Jonathas de Andrade, Argentina’s Leon Ferrari and Lebanon’s Walid Raad, the show includes works dealing with the conquest of Brazil by the Portuguese, the military coup in Chile, the civil war in Lebanon and the Tiananmen Square Massacre in China. Photo: Liu Wei, Unforgettable Memory (2009). Courtesy of MALBA. Memorias Imborrables (Indelible memories) is on at MALBA until 20th August 2015.

Now who’s wearing the trousers?

Pioneering photographer Annemarie Heinrich (1912-2005) had hard mountains to climb but her persistence eventually paid off. The daring Argentine artist, who moved to Argentina with her family to escape the Nazis, lived at a time when photography was considered a lesser cultural form in Buenos Aires. To complicate matters further, Heinrich liked to experiment with photographing nudity. She kept this a secret which, given that society even disapproved of her habit of wearing trousers to work, was probably wise. A comprehensive retrospective of the German-born photographer’s work at the Museum of Latin American Art of Buenos Aires (MALBA) — which ended earlier this month — uncovered her passionate, and very private, experiments with photography. Heinrich photographed many stars of the cinema, theatre and ballet in the 1930s and 1940s, when Argentina cinema was experiencing its Golden Age. In this era, Buenos Aires – dubbed the ‘Paris of the South’ — was a magnet for foreign performers who relished the rich cultural life of the city. The resplendent Colon Theatre is still considered one of the …