All posts tagged: sao paolo

Alternative reality: Sara Ramo’s blurred boundaries

Spanish artist Sara Ramo (b.1975) recently presented new works, including videos, photographs and sculptures – at Galeria Fortes Vilaça in Sao Paolo. The works in Os Ajudantes (The Helpers) blur the boundaries between reality and fiction. In one video, twelve masked creatures wander through a dark landscape, playing musical instruments. Under the flickering light of bonfires, their appearance comes and goes, lending the video a mysterious atmosphere. Bereft of any narrative, we are left pondering the reality of these odd creatures, which at times appear familiar and at other times, completely foreign. In the series Matriz e a Perversão da Forma (Matrix and the Perversion of Form), the artist presents sculptures made of dental stone. Each piece is a mixture of the real – its material is something we recognize – but the shape is unfamiliar. As in the video, we are confronted with fragments of a whole, which has a distancing effect on the viewer. Sara Ramo was born in 1975 in Madrid, Spain, and currently lives and works between the city of her …

Building Latin America

More than a half-century after its landmark 1955 exhibition, New York’s Museum of Modern Art (MoMA) is revisiting the fascinating terrain of Latin American architecture. Latin America in Construction: Architecture 1955-1980 provides a complex overview of architectural innovation spanning eleven countries: Chile, Argentina, Uruguay, Brazil, Peru, Colombia, Venezuela, Mexico, Cuba, the Dominican Republic, and Puerto Rico. Sprawling cities such as Mexico City and São Paulo were among the fastest growing cities in the world at this time. The region’s unprecedented urbanization was characterized by avant-garde artistic practices, often in challenging political circumstances. During this period, a number of Latin American countries experienced volatile political change. Many saw periods of military dictatorship. Bringing together the architectural achievements of such a large continent for over three decades is no mean feat. Please continue reading in the May/June issue of The Kurios, out now. Photo credits: Affonso Eduardo Reidy. Museum of Modern Art of Rio de Janeiro (MAM), Rio de Janeiro, Brazil, 1934-1947. ©Núcleo de Documentação e Pesquisa? Faculdade de Arquitetura e Urbanismo da Universidade Federal do Rio …

Image society

Brazilian artist Leda Catunda’s new exhibition at São Paolo’s Galpão Fortes Vilaça brings together paintings, prints, watercolours, collages and sculptures. Leda Catunda and the Taste of Others also features printed wallpaper made especially for the show. All of the works being exhibited were made following the same structure as the drawings on the wallpaper, as the artist tries to convey a sense of unity within her diverse practice. In Catunda’s work, patterns normally originate in watercolours, to then be replicated and multiplied in prints. She normally gives these same patterns body in her paintings and sculptures. The show also features a number of pop references, used by the artist as a way of questioning the concepts of beauty and exoticism. Please read more about Catunda and see more images of her work in the May/June issue of The Kurios. Photo credits: Leda Catunda, MG – Mulheres Gostosas, 2014. Courtesy of Galpão Fortes Vilaça. Photo: Eduardo Ortega.